TWENTY SAINTS IN TWENTY DAYS: PART 16 – ST PETER

Title: The Liberation of St Peter
Artist: Gerrit van Honthorst
Medium: Oil on canvas
Size: 129 x 179 cm
Date: 1616-18
Location: Staatliche Museen, Berlin.

TWENTY SAINTS IN TWENTY DAYS: PART 16 – ST PETER

Simon Peter (possibly died AD 67), was an early Christian leader, who is featured prominently in the New Testament Gospels and the Acts of the Apostles. Peter was the son of John or of Jonah and was from the village of Bethsaida in the province of Galilee. His brother Andrew was also an apostle. Simon Peter is venerated in multiple churches and is regarded as the first Pope by the Roman Catholic Church. Acts of the Apostles 12:3–19 tells how Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison. Scholars have noted the direct divine intervention in this narrative, and it is contrasted to the story of James, who was executed by Herod. That James should die while Peter should escape is a mystery of divine providence. It has been suggested that this incident is portrayed as being a type of resurrection for Peter. One of the major themes of the Book of Acts is that "Christ’s servants follow in His footsteps," and events of the chapter "recapitulate the resurrection of Jesus."

A sense of Baroque drama is found in Van Honthorst's Liberation of St Peter. The artist was beloved for his nocturnes, so much so that the Italians called him "Gherardo della Notte". In this painting, the Utrecht artist made the entrance of Peter's liberating angel into the light source, so illuminating the dark prison by a celestial blaze that pours in through the suddenly opened door. The angel’s outstretched hand and flowing garments capture a sense of urgency and movement, but Peter is still surprised, unable to fully comprehend what he sees, thinking “he was seeing a vision”.

Gerrit van Honthorst, also known as Gerard van Honthorst (November 1592 - April 1656), was a Dutch painter and a leading member of the Utrecht school influenced by the Italian painter Caravaggio. He was born in Utrecht as the son of a textile painter. His younger brother Willem also became a painter. Van Honthorst was apprenticed to Abraham Bloemaert, the most celebrated master in Utrecht, and went to Italy around 1610-1615, when Caravaggio's influence there was at its height. During his career, Van Honthorst's overwhelming success brought him tremendous wealth and he lived in the lap of luxury. Rembrandt's use of Caravaggesque devices in his early works derives in large part from his knowledge of Honthorst's paintings.

The Denial of St Peter

Title: The Denial of St Peter

Artist: Gerrit van Honthorst

Medium: Oil on canvas

Size: 111 x 149 cm

Date: 1622-24

Location: Institute of Fine Arts, Minneapolis.

Mark 14:66-71 While Peter was below in the courtyard, one of the servant girls of the high priest came by. When she saw Peter warming himself, she looked closely at him. “You also were with that Nazarene, Jesus," she said.

But he denied it. "I don't know or understand what you're talking about," he said, and went out into the entryway.

When the servant girl saw him there, she said again to those standing around, "This fellow is one of them." Again he denied it.

After a little while, those standing near said to Peter, "Surely you are one of them, for you are a Galilean."

He began to call down curses on himself, and he swore to them, "I don't know this man you're talking about."

The “curses” Peter utters are not vulgar words; rather, he vows that he does not know the man, invoking curses on himself if he is lying.

As compared with Italian painters taking up the same theme, in Honthorst's painting the emphasis is shifted towards the dramatic potential of artificial light. The face of the maidservant who identifies Peter as one of the followers of Christ is sharply illuminated by the candle she holds. Its flame is hidden by the outstretched arm of another accuser, creating a complex pattern of superimposed bright and dark areas and enhancing the atmospheric effect of the glowing light.

Gerrit van Honthorst, also known as Gerard van Honthorst (November 4, 1592 - April 27, 1656), was a Dutch painter and a leading member of the Utrecht school influenced by the Italian painter Caravaggio. He was born in Utrecht as the son of a textile painter. His younger brother Willem also became a painter. Van Honthorst was apprenticed to Abraham Bloemaert, the most celebrated master in Utrecht, and went to Italy around 1610-1615, when Caravaggio's influence there was at its height.

Christ before the High Priest

Title: Christ before the High Priest

Artist: Gerrit van Honthorst

Medium: Oil on canvas

Size: 272 x 183 cm

Date: c. 1617

Location: National Gallery, London.

As recorded in John 18:19-20, after Jesus had been arrested, the detachment of soldiers and Jewish officials brought him to Annas, who was the father-in-law of Caiaphas, the high priest that year. The high priest questioned Jesus about his disciples and his teaching. "I have spoken openly to the world," Jesus replied. "I always taught in synagogues or at the temple, where all the Jews come together. I said nothing in secret. Why question me? Ask those who heard me. Surely they know what I said."

This is one of the most famous paintings made by Honthorst in Rome, and shows the powerful influence of Caravaggio. The scene is focused on the burning candle in the centre of the composition, and beside it the arm and raised finger of the High Priest. Under Jewish law a claim to be the Messiah was punishable by death, and the book on the table in front of the High Priest contains the proscriptions of the Mosaic Law. The painting is concentrated in theme, lacking the anecdotal character that affected the work of the majority of Caravaggio's followers. In this respect, it approaches the directness of Caravaggio's own later work.

Gerrit van Honthorst (November 4, 1592 - April 27, 1656), also known as Gerard van Honthorst and in Italy as Gherardo delle Notti for his nighttime candlelit subjects, was a Dutch painter of Utrecht. According to van Honthorst's biographer, Joachim von Sandrart, the patron of Christ before the High Priest was the Marchese Vincenzo Guistiniani, in whose palace the artist stayed during his years in Rome. Honthorst may have moved to Rome as early as 1610, but was home again about 1620 and set up a school at Utrecht which flourished exceedingly.